It is truly sad how much soul is lost in our world today. We, as a whole, are so wrapped up in all the things that aren’t important in our worlds, that we have let true joy fall to the wayside. Of course, being a sometimes-artsy type, I tend to equivocate joy with more soulful endeavors like art, writing, music, the kinds of creations which are made beautiful, not simply by their existence, but by their creators’ heart and soul as it is put into bringing them about. Unfortunately, it seems with our (again the collective here) longer working hours, greater demands on our time and energy, and in some ways our money, with our technological advances, we have lost sight of the natural beauty of the world, created or even just nature itself.
Let’s start with the man-made stuff. When one thinks of the “greats” in art, the majority lie in our long lost history: Michelangelo, Van Gogh, Di Vinci, Rembrandt, Picasso. Sure, we have some fantastic artist in our midst today, but can you name one? Can you recognize their work by sight? Composers/musicians: Mozart, Beethoven, Brahms, Bach, Vivaldi. Even if you want to step forward into more modern times, who can deny Miles Davis, Louis Armstrong, or Aretha Franklin? That quality of music doesn’t exist anymore. The heart and soul poured into the piece or song can be feltby the listener in a way that some lyrics may induce from today’s pop/rock ballads, but it’s just not at the same depth as the old stuff. In writing, what happened to the Dickens, Shakespeares, Vernes, Austins, and Hemingways of the world. Their language, their imagery, their formation of thought and prose (or poetry) is something that can’t be found in modern writers. I do love modern writers, but the unbridled exploration of language and its infinite possibilities just doesn’t make its way into print anymore. In architecture, the sometimes ornate, always stunning works of art that are wrapped around old buildings are giving way to new, sometimes beautiful, but always functional and cost-effective facades. Even the most minimal pieces of our past (think zen-ish temples and even the pyramids) have more character and simplistic beauty than that $10,000 sideboard from Pottery Barn could ever hope for.
I think it all comes down to heart. For centuries, great masterpieces in art, architecture, music, woodworking, writing, whatever were created by hand and by heart. The creators had the gift and the almost primal need to create and share their creation with the world, not for fame or fortune, simply because they could. They heard the music in the air, saw the sculpture before ever touching chisel to stone, knew the story and had the words to explain every depth of it, felt the draw of paint to canvas and obliged to bring them together in the poetry that they are meant to create. These gifted among us (or the past us) weren’t looking for ways to get rich or get a bigger house or marry a prettier girl. They were there, in their moments of creation, completely surrounded by, I’m not going to go so far as to say peace, because really, I’m sure some of them were those tormented-soul types, but they were surrounded by thier ”now,” embracing it, rolling in it, holding tight and creating something magnificent.
These prodigies often manifested talent at a young age, and were provided (usually) the means to explore their talent. Imagine for a moment that Mozart grew up in today’s society. Most of us don’t have a piano in our homes. Most of us will never touch a piano except maybe in passing in a music store at the mall in our lifetime. If this was the world he grew up in, this world would be robbed of some of the most inspirational and inspiring works in history.
Even when that pure, soulful talent arises in someone amongst us, there is little chance for them in our world. Mozart began when he was 5. I can’t fathom my son doing much of anything phenomenal like that at his age. Not that he isn’t the most wonderful, smartest, sweetest, most talented boy in the world. Of course, all our kids are. But in seriousness, what Mozart could do is unthinkable. Strip away the kids who are bragged on and put on pedestals for their perceived (by-rose-colored-glasses-wearing-parents) talents and find the true anomalies in our society. Then add the reality that most won’t discover their talent, and if they do, will not have the ability or means to sink into it without scorn (or starving…why do you think they call it starving artist…). I mean, really. Editing and publishing costs money. Paint and canvases cost money. Pianos and other instruments cost money. Woodworking tools and wood cost money. (Yes, there were probably money issues back then, but back then they could also just go cut down a tree for wood instead of going to Lowes, they could mix a palette of colors from nature and stretch out the hide of a newly slaughtered goat or something instead of heading to Michael’s.) Add to that the competition created by the machines of this world that can do it all faster and more “perfect,” including all that computer-aided music we listen to. What’s left for the true, soul-filled beauty of our world?
Granted, some make it…usually, it seems, in the music world where there is still some appreciation for talent. But even then, it isn’t recognized in nearly the same way. Take that expiriment in the DC Metro back in 2007. They put Joshua Bell, a world renowned, highly talented violinist in the subway with a $3.5 million Stradivari violin for 43 minutes, just to see what would happen. This 30-something man, who coincidentally began at age 4, who gets paid $1000′s per minute to play worldwide, made $32.17 that day for his trouble. A handful of people paused and tossed him some change. One man stopped for 3 minutes to listen. Most didn’t even seem to notice. One woman actually recognized him, having attended one of his concerts earlier in the year and was shocked by the response of her fellow Washingtonians. We don’t even recognize recognized talent when it’s right there in front of us, wailing away on a $3.5 million instrument! One thing that was observed, however, was that every child that came through stopped (or at least tried to) and looked and listened to Bell play. So what does that say?
I think our world of too busy, too much, not enough is a learned adult phenomenon. I think we are all born the same, 100 years ago, 1000 years ago, or today. I think that innate connection with nature and purity and the soul and all their beauties is there from birth, but it’s our lives that push it out of us. Of course in the end it’s up to us, isn’t it. We can go on with our “musts” and our “needs” and all the other illusions that drive us through life, or we can stop and listen to the music, see the beauty, feel the soulfulness, and find the words to describe it all with perfect descriptive clarity. And if we aren’t lucky enough to be born with that gift of natural talent, at the very least can we stop and appreciate and support and stand behind the ones that are, for they are the last of a dying breed, the last of their kind, the last to bring that true, soulful beauty to us. (Go hug a band-geek today!)